Cherry Blossom Philosophy

The cherry blossom is richly symbolic within Japan – it is depicted on the 100 yen coin and was used as a symbol to stoke nationalism during World War II. Many Japanese believe that the blooming of the trees symbolises the transience of life and is an annual reminder that time is precious. The cherry blossom cycle is seen as a metaphor for life itself – a time to reflect on your achievements and think ahead to your future. Once you have finished philosophising, indulge in some of Japan’s more light-hearted symbolism.

Photos from → Philosopher’s Path

Hagoita

A hagoita is a rectangular board with a handle used for playing a New Year game called hanetsuki. It is perhaps best described as a kind of game hitting badminton shuttlecocks with large ping-pong rackets. The hagoita sold at Hagoita-ichi, however, are not for practical use; they are, in fact, good-luck charms for ornamental purposes, for they are decorated with gorgeous pictures and accessories. The front of the hagoita is designed with images of elegantly made-up Kabuki actors, or popular celebrities, TV personalities, athletes, and anime characters of the year.

 Kanji hatsu means first or start in Japanese

HAPPY NEW YEAR 2012

Nishijin Brocade

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Nishijin Ori is the most famous brocade in Japan. The roots of Kyoto’s Nishijin brocade go back 1,200 years, to a time when Japan’s Imperial Court employed weavers to produce high-quality, luxury fabrics for the court’s nobles. By the middle of the Heian Period 794-1192, such state-owned textile operations were on the decline, and weavers increasingly chose to set up their own independent workshops. At the same time, new weaving techniques were arriving from Sung Dynasty China, which the Nishijin weavers were.

Fukujuen

Fukujuen is one of the most famous tea companies in Kyoto and has over 210 years of history. Fukujuen has recently opened a new and interesting ‘workshop where you can experience how to make tea. Not brew a cup of tea, but experience the process of preparing fresh tea leaves for brewing tea, first hand, by hand.

Kyoto has been holding the reputation as the birthplace of high quality of tea. The plant is flourishing especially in Uji, which is located on the south in Kyoto, for the reasons below.“Rich nature and environment suited to the cultivation.” There are two rivers running – the Kizu river and the Uji river – through, and morning mist comes up from both rivers gives enough moisture to tea trees. And the property in Uji surrounded by many mountains is suitable for the growing of tea.” Tradition rooted on this area” Until the Kamakura Era, Kyoto was the center of everything; culture, academy, art, architecture, economy, and politics. And the way of tea had been formed and sharpened, and refined by many great pioneers like Eisai or Senno-Rikyu, Tea Master, and its style and thought still remain as the part of Japanese tradition.

Uje Bridge

The Uji Bridge is one of the main three ancient bridges in Japan. The Uji Bridge is said to have been constructed in 646 at the first time.

This Bridge is a symbol of Uji. It appears in ancient literature. It is Kokinwaka-shu and The Tale of Genji.

Frequently this bridge has been damaged by floods and wars. The present bridge was constructed in March, 1993.

Shugakuin Rikyu

Built for the retired Emperor Gomizuno ,1596-1680, this site is home to three gardens; the Shimo-ochaya Garden at the Omoteso Mon Gate with its Jugetsukan House and an excursion landscape garden, Naka-ochaya Garden, host to a splendidly decorated room known as Kasumitana while the huge Kami-ochaya Garden has Yokuryu Pond at its center. The view from the teahouse known as Rinuntei is superb. Tours require approval from the Kyoto office of the Imperial Household Agency.

Wataboshi Hood

A Japanese bride wearing the traditional white japanese wedding kimono, called shiro-maku. Shiro meaning white and maku meaning pure. The wedding kimono actually consists of two different kimono. The white wedding kimono is worn for the wedding ceremony and an elaborate rich patterned silk brocade kimono called uchikake is worn over the white kimono at the wedding reception.

The wataboshi, bridal kimono hood is derived from the katsuki, a hood worn outdoors by married women in samurai families from the Muromachi to Momoyama periods. From the Edo period, this custom was taken up by younger women. Originally worn outdoors to keep away dust and prevent from the cold, the wataboshi now is worn as the equivalent of the bridal veil in Western tradition. Wearing the wataboshi hides the bride’s face from all others except for the groom until the end of the wedding ceremony. The white wataboshi is worn only outside with the shiromuku, not with colored wedding kimono or during indoor receptions.

Shimogyo-ku

Shimogyō-ku is one of Kyoto’s eleven wards. First established in 1879, it has been merged and split, and took on its present boundaries in 1955, with the establishment of a separate Minami-ku. Its primary attractions include Kyoto Tower and Kyoto Station. Shijō Street on the northern edge of the area, especially around the Shijō Kawaramachi intersection, is the busiest shopping district in the city.

Higashiyama-ku

Higashiyama-ku, meaning “easten mountain ward,” is one of Kyoto’s eleven wards. It was created in 1929 when split off from Shimogyō-ku. From 1931 to 1976, it also covered present-day Yamashina-ku. It is roughly bound by Sanjō street in the north, and the Jūjō street in the south, the Kamo River on the west, and the Higashiyama mountain range on the east. Its primary attractions include the Gion District and Yasaka Shrine, the stone-paved roads Ninenzaka and Sannenzaka leading up to Kiyomizu Temple, Tōfuku-ji, Kennin-ji, Kōdai-ji, and Sanjūsangen-dō.

Sento Imperial Palace

Sento Imperial Palace was completed in 1630 for Emperor Go-Mizunoo’s retirement, along with the corresponding Ōmiya Palace for the Empress Dowager Nyoin. Both palaces were repeatedly destroyed by fire and reconstructed until a blaze in 1854, after which the Sento palace was never rebuilt. Ōmiya Palace was, however, reconstructed in 1867 and is still used by the emperor whenever he visits Kyoto. Today only two Sento structures, the Seika-tei and Yushin-tei teahouses, remain. The excellent gardens, laid out in 1630 by renowned artist Kobori Masakazu, Kobori Enshu, are now its main attractions.

Sento palace grounds are located within the southeast corner of the Kyoto Imperial Palace, and entered via a stately wooden gate within its surrounding earthen wall. A carriage house with graceful triple gables, Okuruma-Yosi sits just within, but still outside the garden’s unadorned inner wall, whose gate leads directly to a fine view opening westward across the garden pond.

The garden’s primary feature is a large pond with islands and walkways, whose north and south segments were linked by a short canal in 1747. The north pond was extended and reworked from 1684-1688; the south pond is notable for its expansive “ocean shore” of rounded stones and cherry trees, an edging of mixed natural and hewn stones, and a separate, understated embankment of squared stones. The ponds contain a variety of highly picturesque islands and six bridges in a varied styles, including one with an impressive wisteria trellis built 1895.

Two teahouses complete the garden: Seika-tei, shingle-roofed and spare, at the southern end of the south pond; and Yushin-tei, thatched and rustic with a notable round window, at the western side of the north pond. Source Wikipedia

Kyoto Station

Kyoto-eki or Kyoto Station, Kyoto’s most important transportation and Japan’s second-largest train station building, is served by the Tokaido Shinkansen on the Central Japan Railway Company (JR Central), West Japan Railway Company (JR West), Kintetstu Railways and the Karasuma Line on the Kyoto Municipal Subway. Built on the 1200th anniversary of the capital’s foundation in Kyoto, it opened to the public in 1997 and stands in modernist contract to the traditional image of Kyoto. The futuristic design, conceived by Japanese architect Hara Hiroshi, features an exposed steel beam roof, called the Matrix, and a façade of plate glass over the steel frame. An immense 15-story building rises 70 meters high, stretching 470 meters long, with a total floor area of 238,000 square meters, incorporates a shopping mall, hotel, movie theater, Isetan department store, an art museum and several government facilities in additional to its railway services. A Skyway tunnel allows visitors to walk the length of Kyoto Station, 45 meters above the central hall, starting from the 11th floor.

 

Nakagyo-ku

Nakagyō-ku, meaning central capital ward, is one of Kyoto’s eleven wards. The Kamo River flows through the district in the area known as Kawaramachi. Its primary attractions include Nijō-jō, Nijo Castle, the Kyoto International Manga Museum, and Nishiki Ichiba, Nishiki Market.

Theatre

K a b u k i
Sing-Dance-Skill – Kabuki

Kabuki is a traditional Japanese form of theater with its origins in the Edo period. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by its performers. Kabuki is therefore sometimes translated as, the art of singing and dancing. These are, however, ateji, characters that do not reflect actual etymology. The word kabuki is believed to derive from the verb kabuku, meaning to lean or to be out of the ordinary, so kabuki can be interpreted to mean avant-garde or bizarre theatre.

Kabuki plays are about historical events, moral conflicts in love relationships and the like. The actors use an old fashioned language which is difficult to understand even for some Japanese people. They speak in a monotonous voice and are accompanied by traditional Japanese instruments.

Tsukimi

The Mid-Autumn Festival is named Tsukimi or Otsukimi, moon-viewing in Japan. Celebrations of the festival take place on the 15th day of the eight month of the traditional Japanese Lunisor calendar,  usually takes place in September of the solar calendar.

The Tsukimi custom or moon-viewing custom originated from the Chinese Mid-Autumn Festival. Custom of viewing the moon and holding festival parties appeared over 1000 years ago when tradition of the Chinese Mid-Autumn Festival was introduced to Japan.

Unlike the Chinese, who eat mooncakes to celebrate the festival, the Japanese usually eat eating rice dumplings called Tsukimi dango. The tradition is now so popular in Japan that some people repeat the activities for several evenings following the appearance of the full moon during the eighth.